The ever-delightful Imelda Staunton takes center stage in this lavish production of "Hello, Dolly!" at the London Palladium. Directed by the accomplished Dominic Cooke, the show boasts a vibrant cast, eye-catching sets, and of course, Jerry Herman's timeless score. While undeniably entertaining, the production stumbles slightly with a plot that's as thin as a dime and a layer of sentimentality that's a touch too thick.
Staunton is a force of nature as Dolly Levi, the quick-witted matchmaker who injects life into the lives of everyone she meets. Her comedic timing is impeccable, and her powerful voice soars through numbers like "Hello, Dolly!" and "So Long, Dearie." Opposite her, Andy Nyman delivers a delightfully grumpy portrayal of Horace Vandergelder, the wealthy widower who becomes Dolly's target. Their playful dynamic keeps the audience engaged, even if their romantic spark feels a bit manufactured.
The supporting cast is equally impressive. The ensemble shines in Bill Deamer's energetic choreography, particularly during the show-stopping "Put on Your Sunday Clothes" complete with a full-sized train chugging across the stage. Rae Smith's opulent costumes and sets transport the audience to a romanticized New York City, adding a touch of grandeur to the production.
However, the charm of the production can't quite mask the thinness of the plot. The matchmaking schemes and comedic misunderstandings, while amusing, feel a tad predictable. Furthermore, the show's sentimentality can lay on a bit thick at times, bordering on saccharine.
Overall, "Hello, Dolly!" at the London Palladium is a visually stunning and thoroughly enjoyable production. Staunton's performance is a highlight, and the supporting cast and creative team deliver a polished experience. While the plot may lack depth and the sentimentality borders on saccharine at times, "Hello, Dolly!" is a guaranteed night of pure, unadulterated fun.
It runs until 14 September. Tickets: here.
Photo: Manuel Harlan