Every now and then, a revival of a classic musical comes along that pushes the limits of what audiences thought they could be. Jamie Lloyd’s reimagined Sunset Boulevard smashed perceived theatrical boundaries last year and, in 2024, it could be that this electrifying revival of Fiddler on the Roof is viewed through a similar lens.
Although Timothy Sheader’s final work as artistic director at Regent’s Park Open Air Theatre may not reinvent Fiddler, staging the piece outdoors in such a vast amphitheatre forces the issue. Even the show’s start time of 7.45 pm, in early August, means audiences are plunged into a brooding darkness as the story shifts from one of celebration to fear and persecution.
Adam Dannheisser gives a sparkling performance as Tevye, seemingly able to shift with ease between quick-witted one-liners - often aimed at his wife and daughters - and a quiet devastation as his people and town come under fire from the pogroms. His ‘If I Were a Rich Man’ is gently understated and sets out his stall for the rest of the piece.
Opposite Dannheisser is Lara Pulver as his wife Golde. The pair share a beautifully performed moment with ‘Do You Love Me?’ early in the second act, in the face of trouble brewing for the people of Anatevka and their daughters’ romantic choices. Overall, it is an exceedingly talented cast and the three daughters exemplify that.
Liv Andrusier is charismatic and fiery as Tzeitel, showing flashes of the energy that made her so captivating as Annie Londonderry in Ride last summer. Likewise, Hannah Bristow (Chava) and George Bruce (Hodel) put in strong performances to complete the family dynamic. The trio provide one of the show’s highlights, combining for a spellbinding rendition of ‘Matchmaker’.
David Allen’s set design works a treat, with the vast openness providing ample space for scenes to play out while the orchestra provides the musical backdrop under the literal roof. Jerry Bock and Sheldon Harnick’s music and lyrics permeate all the more as the light fades and the focus hones in on the narrative.
A special mention must also go to Julia Cheng for her hypnotic choreography. The ensemble numbers are truly captivating, culminating in the famous Bottle Dance scene at the end of Act One. In whole, ripping Fiddler away from the confines of an indoor auditorium leaves this highly-emotive musical even more exposed. Adapting a musical for outdoor performances is undoubtedly a challenge but one the Regent’s Park creative team have risen to and then some.
The seasons dictate that even the most magical production as this will be limited to just a few months' worth of performances. For any lover of musical theatre, this revival is one not to be missed.
Fiddler on the Roof plays at Regent’s Park Open Air Theatre until 21 September. Tickets: here.
Review: Tom Ambrose Photos: Marc Brenner