Jamie Allan's Amaze is an evening of magic, memories, and storytelling, blending illusion with personal narrative. Co-created by Allan himself and Tommy Bond, directed by Jonathan Goodwin, with illusion direction by Richard Young, the show offers more than just sleight of hand—it takes the audience on a journey through Allan's life in magic.
Allan's show is deeply personal, combining his own story with his magical mastery. Through heartfelt anecdotes, he invites the audience to step into his world—beginning with his first childhood encounter with magic and the very toy that sparked his lifelong fascination. It's not just about the tricks; it's about the emotions they stir, the sense of wonder they reawaken, and the journey they represent.
One of the most refreshing aspects of Amaze is Allan's choice to focus on traditional magic rather than the grand, flashy illusions. Though the tricks may not be large in scale, they are no less impressive. Allan expertly performs card tricks, (dis)appearing acts, and other classic acts with a precision that speaks to his years of experience. There's a nostalgic charm to these routines, yet they are executed with modern flair and effortless showmanship.
What really sets Allan apart is his connection with the audience. He exudes charm and wit as he guides us through each act, building a rapport that feels personal and genuine. And that's really the heart of Amaze: it's not just about fooling the audience with clever tricks, it's about sharing the joy that magic has brought to his life and inviting the audience to rediscover their own sense of wonder.
Joining Allan on stage are Natalia Love, Richard Ede, and Adam Renner, who assist with camera work for close-up magic and handling props. The set, designed to resemble an attic filled with nostalgic objects, plays a significant role in the show's narrative. As the show progresses, these items are gradually packed away, suggesting the end of childhood and the transition into adulthood.
The technical aspects of Amaze deserve special mention. The lighting, projections, and props are well integrated, enhancing Allan's performance without ever overpowering it. Childhood photos and videos offer a glimpse into Allan's past, grounding the magic in a relatable human experience. The music, too, is perfectly chosen, complementing the mood of each trick and adding to the storytelling.
It is towards the final few acts where Allan truly dazzles. Without giving too much away, there are moments that left me genuinely baffled and filled with awe - I stopped trying to figure out the "how" and simply marvelled at the "wow.".
In Amaze, Allan reminds us that the magic of childhood doesn't have to end. The show offers a heartwarming escape, particularly for those who grew up in the 80s, who will find themselves transported back to simpler times. While it may not fully convert the cynics, Amaze will at least remind them of why they were drawn to magic in the first place. And for the rest of us, it's a reminder that the wonder of magic is something we never truly outgrow.
Amaze plays at the Criterion Theatre until the 23rd November. For tickets, click here.
Review: Caleb Lee Photos: Danny Kaan